Korean sculptor born in 1971, Chun Sung-Myung gives away his impressions about modern society, childish, sterilized, protective and that, despite its obsession for integrity, seems to suffer from inner and profound wounds. This look emerges in his artworks where children and adults merge, where the theatricality of the postures stages the links and the relations, where the narrative dimension shouts at viewers. A dark world that wrecks the fantasy of the innocence confronting it with the damages of irresponsibility.